
Resume/Headshot/About
Caetano de Sá (He/Him) is from Denver, Colorado. From a young age he grew up in Denver and São Paulo, Brazil. He currently lives in New York City and is a recent graduate of the Boston Conservatory at Berklee College of Music BFA in Musical Theater with an emphasis in acting. Professionally he's performed at
54 Below NYC, the roles of Frankie Valli in Jersey Boys, Rock of Ages and The Prom (Clear Space Theatre Company), Jesus in Godspell and Will Parker in Oklahoma! (Prairie Repertory Theatre), Nick/Mickey in Mystic Pizza (Emerald Coast Theatre Company), Emmet/Warner U/S, Ensemble in Legally Blonde (Firehouse Center for the Arts), Brad/Understudy Link Larkin in Hairspray (Sullivan Rep), Arcturus in Starcadia (ArtXnyc,See Humans,Waxwing). At BoCo he's played Manny Munoz/Pancho in City of Angels, Kulygin in Anton Chekhov's Three Sisters, Angus/Knave of Hearts in Alice by Heart, Richard Roe in Machinal, Jack u/s in Into the Woods, Ensemble in Rent (Boston Conservatory MainStage), Sir Arthur in Witch, Goldstein in 1984, Rolly Moore in Escape from Happiness, Jon in Do you Feel Anger (Boston Conservatory), Adam Flayman in A Bee Musical (See Humans). In addition to his on-stage credits, in TV/Film he's played the roles of Austin in Apartment 3's short film production of Trunk (currently in festivals), Featured in a recent AFLAC Commercial (NGLmitu Productions), Gideon in web series Inattentional (Boston University), Mitch in a short film Edibles Arrangements (Boston Conservatory) and more. His passion for performing also includes improvisation where he was the co-president for Boston Conservatory’s improvisational group and Shakespeare. He has also worked in other areas of theater including House manager, box office, costuming, and tech assistance as well as with social media marketing at Prairie Repertory Theater. Prior to moving to Boston, Caetano performed in numerous musicals and plays in Denver, CO and assisted with teaching at the Denver Center for the Performing Arts Summer Theater Programs.

